John Zorn celebrates his 60th birthday at the Museum Of Modern Art.
John Zorn celebrates his 60th birthday at the Museum Of Modern Art.
On Heartthrob, the seventh album by the Canadian twins Tegan And Sara, the duo leaps from the indiepop world and makes straight-up crystalline pop music about heartbreak. Maura Johnston, Brad Nelson, and Chris Randle discuss the boldness and effectiveness of this aesthetic move. Brad Nelson: Maybe we should explain at the outset why we want—need—three […]
As members of ’90s emo band Texas Is The Reason slowly walked out of the dark to their instruments at the Music Hall of Williamsburg, you could hear the dense, spiderwebbing guitars of their one instrumental, “Do You Know Who You Are?,” issue from the speakers in neat overhead streams. The stage was traced with small circular lights, as if powered by tiny, diminished suns. During their two-show 2006 reunion, the band were enhanced by dynamic, interweaving spotlights; this setup felt as if they were consciously creating a new environment, tended by warmth.
Guitarist Norman Brannon played the opening chords of “Antique”: a few drifting chords that seem very near one another, that feel naturally related, like bodies of water. Garrett Klahn sings in one note that sounds painfully excavated; it resembles a stream pushing gravel. All of the band’s music has a watery aspect, actually—each song gives off the sense that it will feed into a larger or smaller embodiment of itself.